Digital Branding & Music Marketing 2.0
Download my free ebook The Record Label’s Guide To Digital Branding & Music Marketing 2.0
Whether you’re a record label, publisher, manager, promoter, artist, songwriter, band, musician, or other music professional, this ebook provides guidelines for implementing digital strategies that will help you grow your fanbase and sell more music.
Music 2.0 Business Models (Part 4) – Future Music Coalition
Posted by Dexter Bryant Jr. [d.BRYJ]
Powered by d.BRYJ Music Media Group.
The Hit Music Academy | 2010
Music business tweets @dBRYJmusic
Music 2.0 Business Models (Part 3) – Future Music Coalition
Posted by Dexter Bryant Jr. [d.BRYJ]
Powered by d.BRYJ Music Media Group.
The Hit Music Academy | 2010
Music business tweets @dBRYJmusic
Music 2.0 Business Models (Part 2) – Future Music Coalition
Posted by Dexter Bryant Jr. [d.BRYJ]
Powered by d.BRYJ Music Media Group.
The Hit Music Academy | 2010
Music business tweets @dBRYJmusic
Music 2.0 Business Models (Part 1) – Future Music Coalition
Posted by Dexter Bryant Jr. [d.BRYJ]
Powered by d.BRYJ Music Media Group.
The Hit Music Academy | 2010
Music business tweets @dBRYJmusic
What You Need To Know To Succeed In The New Music Business – Berklee Music
Posted by Dexter Bryant Jr. [d.BRYJ]
Powered by d.BRYJ Music Media Group.
The Hit Music Academy | 2010
Music business tweets @dBRYJmusic
Music Consumer Behavior On The Way To The Age of Access?
By Thomas Schinabeck
I’m recently researching some things about the consume of music in the digital age. The common questions: How? Other than before? More? Paying? et cetera…
For me the most important one: “Did the attitude, the valuation of consumers to recorded music change?”
Indie Labels "Revolting" Against eMusic?
By Nate Anderson
Billboard recently ran a piece discussing a label “revolt” at eMusic, the number two US retailer of downloadable music. According to the article, at least six independent labels are dissatisfied with their eMusic contracts and are considering pulling their catalogs from the service if they don’t get more money per track sold.
The Hit Music Academy 